Animation is a dynamic sector which is flourishing and rapidly changing in terms of technology and audiences. It is a concrete example of collaboration, innovation and creativity. It is an industry which opens up great opportunities to the animators but at the same time financial limitations often lead to technological weaknesses and consequently, less competitiveness in the market. These aspects are presented below in an interview by our colleague from the European Coordination of Independent Producers (CEPI) with Philippe Alessandri; Philippe is Chairman of Animation Europe, the pan European Association which includes animation producer association within the EU, also active member in CEPI.
Liana Digka: How has digital innovation improved the quality of animated series and permitted to relocate production in Europe by increasing the productivity of the animation studios?
Philippe Alessandri: In the 90s, when I had my first contact with Animation, Asia was the place where the animation work was sub-contracted because of the low-cost services. The production was based on traditional means such as hand drawing and camera shooting. At that time, two French companies invented a digital system in order to produce animation electronically. It took 10 years for this technique to be completely accurate and to get enough well-trained artists to use it. With this technique the productivity increased and European production companies became more competitive vis-à-vis the Asian ones. This production optimisation combined with the tax incentives adopted by some European governments made it affordable to relocate production in Europe.